Peter Bargh

Sights & Sounds

Archive for the ‘Photography’ Category

January 2nd, 2011 by Peter Bargh

Photo365 – Day 2

gloveWell the family decided to go to the shops and one of my resolutions was to shop less. So I decided to fulfil another resolution to go walking more.  I packed up a sarnie, drink, few nibbles, got my boots out, coat, hat, gloves, super warm ePHOTOzine fleece and camera.

I decided to go to Win Hill. It’s the first hill I climb in Derbyshire and one I slept on on my stag night back in the 80s. I also decided to shoot landscapes with juts a 50mm (about 75mm on the Pentax)  I have an old 50mm f/2 manual lens and have never used it on digital so that was my one lens shooter today.

I packed the stuff in the car and set off. About 40mins later I pulled into a car park, got my coat on and then realised I’d not packed the boots! It was really muddy and I just had shoes.

The Win Hill project took a nose dive and a substitute was needed. I decided to bring forward a walk through Riverlin Valley that I was going to do to record some of the remnants of the Victorian industry.

For those who don’t know Riverlin Valley is on the outskirts of Sheffield. It’s a three and a half mile stretch with some great features. And it’s steeped in history.  Details here: Riverlin Valley on Wikipedia

I took plenty of photos getting some good ones of iced over dams, close ups of sluice gate cogs, record shots of several of the bridges that were built over dam side streams to channel water to the forges, and some general scenes, as well as close ups of waterfalls along the course.

But the picture I’m including for day two of my Photo365 is one of a glove placed on a tree branch I shot this as the light was fading. For some reason my polarising filter I’d been using had steamed up and the resulting shot is quite atmospheric.

January 1st, 2011 by Peter Bargh

Photo365 – Day 1

Here’s my first shot for my new Photo 365 Project taken tonight. I’ve been meaning to get round to photographing oil on water after reading Alison’s Photo Month article on ePHOTOzine: Oil on Water. New Years Day saw me lethargic from a previous night of celebrations so it seemed like the perfect time to do the set up.

oil on water

I used a large spice jar lid to hold the water and added some vegetable oil. The lid was attached to a McClamp and held in place over an upturned studio light with a softbox attached. I then placed a sheet of polarising gel and a cd tray under the lid to give a cross polarised colour effect background and the camera was set up over head on a Vanguard Tripod with macro arm. The 100mm Pentax lens had a polarising filter attached.

See here how to do cross polarisation photos.

January 1st, 2011 by Peter Bargh

New Project – Photo365

Like most people I make New Year Resolutions every year, but I don’t normally have a photography one. This year, as well as the usual eat less, get fitter ideas, I intend to get out and about more and to take a photo a day with my new Photo365 project. With this project I aim to join in more ePHOTOzine challenges, do many of the Photo Month ideas that are introduced daily and make sure I take my camera with me wherever I go (even if it’s sometime a compact).

Let’s see how long it will last

I will record each day’s picture in my blog

October 14th, 2010 by Peter Bargh

Back to film with Fujifilm’s GF670

Pete and Fujifilm GF670I’m currently testing the Fujifilm GF670 for ePHOTOzine, the review will go live in a week or so.

It’s quite fascinating that Fujifilm, who’ve reduced their film range, would bring out a medium-format film camera.  Medium format is more or less dead and Hasselblads, Bronicas and Mamiyas are appearing on the pages of eBay and are fetching ridiculously low prices. So a fixed lens rangefinder may not be a smart move. I’ve yet to make my mind up.

It is an interesting experience though. Having not used roll film since I sold my Hasselblad 500cm six or so years ago, it was good to see that films have finally got self adhesive seals now…well Fuji Superia has at least. No longer do you have to lick to seal the strip with its foul mint flavoured gum. Now you just pull and wrap. Nice touch!

Then while using it I had to revert back to a flash meter which I’d given up on about the same time the Hasselblad went. And remembering to wind on the film! But the hardest part to cope with is not seeing the results instantly. I have the sealed roll waiting to be processed. I’ve got to decide where to send it, and then wait for the package to return.

Still it’s fun going out with a camera that I can hand hold and get 6x7cm shots – even if it does look like an relic Agfa Isolette. I just hope the results are good. I’ll let you know.

July 8th, 2010 by Peter Bargh

Fashion shoot

I recently took some photos to help young fashion designer Harriet Brookes produce a portfolio for her degree. She was awarded a First Class Honours.

Here’s Harriet at her exhibition at Manchester Uni with my pics are on the wall in the background. I’m really pleased for her and glad I could help.

October 4th, 2009 by Peter Bargh

New model Chloe Bleackley proves to be a little star

Chloe BleackleyI recently over heard my cardiac nurse saying “she wants to be a model” and couldn’t help push my nose in.  I soon found  out she was referring to up-and-coming model, Chloe Bleackley, who’d done some catwork work, but never modelled before. So I offered to take some shots to kick start her portfolio.

I spent Friday evening in the Turbine Studio with Chloe. It’s the first studio shoot I’ve done since the heart attack last year.

Chloe turned out to be far better than I expected for a first shoot. In fact, she was much better than some models who’ve been doing it for years.  She’s very alert to how models pose and has spent time watching TV etc to learn. So when she started moving I was gob-smacked at the ease of flow.

Happy as they come, but also capable of turning on a sultry pose.  I’m sure she’ll go far.

You can see Chloe on Model Mayhem here Chloe Bleackley

And a few photos from the shoot in my gallery pages here:  Chloe Bleackley

October 2nd, 2009 by Peter Bargh

Chloe Bleackley

Photo shoot with up and coming model Chloe Bleackley at the Turbine

August 14th, 2008 by Peter Bargh

Image resolution and Pixel dimensions explained

Someone asked a question today that got me to think that pixel settings is still not really understood. So I thought I’d explain what the Image Size resize/resample option does.

When you open an Image Size dialgue box you usually have three methods of adjustment. One to scale styles one to constrain proportions and one to resample.

Constrain proportions and scale styles are checked (ticked) by default. If you want to stretch the image so it looks squashed then you’d uncheck constrain proportions and adjust either the Width or Height dimensions depending whether you wanted it stretched across or up. This can be used subtly to make a landscape look more like a panoramic shot, but should be used with care.  If you want to keep the image the same proportions you keep these ticked and the aspect ratio remains the same.

Resample Image is the one that gets most people in a pickle. By default this will be set as default. If you leave it at default you will notice that the resolution setting is unconnected from the width and height in the Document size settings. Resolution is usually set at default at 72ppi (pixels per inch) If you change the resolution to, say 300ppi you will notice that the Top value Pixel Dimensions will increase dramatically. This is because you are about to resample the image. Doing this instructs Photoshop or similar image-editing program to add pixels (interpolate).

If the box is unchecked you will see it connects the Resolution settings with the Width and Height. If you now change the default 72ppi to 300ppi you will see that the Pixel dimensions stay the same, but the width and height decrease.

You are basically taking the 72 pixels in each inch and squashing them into 300 per inch. Computer screens are set at 72ppi so you do not need an image to be set to a resolution of 300ppi, although it doesn’t matter if the file is, because the computer will display at 72ppi anyway.

Now the person who asked the question had been told he needed the image to be 300ppi for a magazine submission. While it’s true that magazines and book publishers need 300ppi files the only important figure is the pixel dimensions, because this determine how big an image can be at 72ppi, 240ppi or 300ppi.

So what do you need to know? Any good magazine editor/picture buyer will know how many pixels he/seh needs for the image and will request the necessary…ie he/shh will request a 2400pixel image. As they are printing at 300ppi it means they have asked to use the image at 8in (2400pixels / 300), yet the same image on your computer may appear to be 33in (2400pixels / 72) if you change from 72ppi to 300ppi with the resample image unchecked the 2400 pixels will stay the same. If you check resample image when changing from 72 to 300ppi your 2400pixel image will increase to 10000pixels and will be a huge unecessary file.

Hope that’s clear…if not ask questions here

April 18th, 2008 by Peter Bargh

Black Nab shipwreck

I was over at Saltwick Bay on the North Coast last weekend photographing the wreck near the Black Nab Rock. It made me wonder if there was any history surrounding the boat. Sadly little information seems to be around the web on the subject. A couple of people have mentioned patchy details about it on the ePHOTOzine site. And there’s even a shot taken just three years after the boat capsized here.

The most information I could find was on the Whitby Lifeboat Station History page which states that a
Silver Medal awarded to Coxswain Robert Allen and the Bronze Medal awarded to Helmsman Richard Robinson for rescuing a survivor of the fishing vessel Admiral Van Tromp, which was wrecked after grounding on the Black Nab Rock in thick fog, an easterly wind, and a heavy breaking sea on 30 September 1976. When a survivor was seen on a rock Helmsman Robinson drove the D class lifeboat in at full speed, onto a ledge, and the man was grabbed just as a large sea broke over the rock and washed the boat back into the sea. 

Black Nab at Saltwick Bay is well worth a visit, but watch for the tide. It comes in fast and you can easily get trapped!

March 15th, 2008 by Peter Bargh

High Royds lunatic asylum, Menston

A tale of Urban Un-exploration
There’s a guy on our ePHOTOzine called Tom who’s an urban explorer and posted up some great shots of the lunatic asylum at High Royds. There are some superb arches, eerie corridors, fabulous windows and great staircases. It’s a photographer’s paridise. So rather than risk the security guards I thought I’d write to ask permission to take a few legal shots.
The reply was Unfortunately we cannot allow anyone on site now because of our ongoing building works and health and safety considerations.”

I suggested I’d waiver all legal claims should anything happen and said I’d just need a couple of hours and act responsibly.

But the answer was still no. Sadly I won’t be able to capture the images, so have to thank the guys on sites like 28Days Later for their bold efforts.